Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

Il direttore delle pompe funebri Yoon-su, tormentato dalla solitudine e dalla depressione, tenta il suicidio, ma viene salvato quando l'attaccapanni si rompe...

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李长镐导演拍摄的关于李承晚与朴正熙的纪录片，2025年4月上映。

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가정부로 일을 하게 된 남자와 주인집 여자가 벌이는 성적 욕망을 그린 성애물

A trans man documentarist named Joo-wan has been filming the bereaved families who keep vigil at a joint memorial altar built on a wasteland. But the altar is about to be removed due to the construction of a new apartment. On the night before the day of removal, Joo-wan’s brother Tae-hee comes and tell him their father died. Joo-wan meets his family after 7 years.

Just 0.2 seconds after a sound wave reaches the cochlea, the brain interprets the vibrations as a sound with unique qualities of distance, direction and speed. The emotions and meanings we attach to each sound are subjective. 　　Hyejin Jung realized this when she started hearing a constant buzzing in her right ear. Her doctor's explanation was that her ear was becoming a machine. While at the hospital she met Somchai, a construction worker with the same complaint, and they started to compare the ways their bodies sound on the inside. 　　In this fusion of medical reporting, societal reflection, soundscape, and personal poetic self-examination Jung reveals through image and sound just how thin the dividing line is between sound and noise. Going beyond her own, individual experience—which ranges from mind-blowing to claustrophobic—she argues that the powers that be regard the voices of marginalized people (who often perform work that causes hearing damage) as noise, and combat it as such.